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A Tribute to Bob Dylan: A Poet for the Ages

Robert Allen Zimmerman was born in Duluth, Minnesota on the shores of Lake Superior. Growing up in a small industrial town, Zimmerman played his harmonica and guitar at the high school gymnasium prior to taking the stage at various clubs and cafes upon his brief enrollment at the University of Minnesota. From these modest beginnings, Zimmerman, now known as Bob Dylan, began his trek toward a multi-decade long career and his establishment as a global music icon for social change and protest on the world stage.

Following his 75th birthday last week, Bob Dylan released Fallen Angels, an album featuring 12 covers of classic American tunes. These simultaneous momentous occasions are cause for a living tribute, unearthing how and why this small town singer-songwriter’s music has been so influential.

Shortly after moving to New York City, Dylan’s seemingly immediate deal with Columbia Records in 1961 led to his debut album Bob Dylan. His first record included only a few original songs, but its follow-up The Freewheelin’ Bob Dylan made the artist a real contender in the folk music forum. Now considered a folk classic, the record included "Blowin' in the Wind,” "A Hard Rain's a-Gonna Fall," and "Masters of War." Each track is a protest song, which together established Dylan as something beyond just a singer-songwriter: an activist.

Continuing on this groundbreaking momentum, Dylan released yet another iconic folk album, The Times They Are a-Changin'. The album’s title song represented the voice of 1960’s youth who were inciting a major cultural rebellion. One of Dylan’s famous lines, “And don’t criticize what you can’t understand / Your sons and your daughters are beyond your command / Your old road is rapidly aging,” became an anthem for the generation’s counterculture. Dylan’s lyrics resonated with the youth who rejected mainstream society and embraced progressivism despite their parents’ woes.

Photo courtesy of Tumblr

Photo courtesy of Tumblr

Tackling topical social and political issues, Dylan wrote “The Death of Emmett Till” and “The Death of Hattie Carroll.” These tracks, among others that touched upon the Vietnam War and the Civil Rights Movement, illustrated the racism and inequality that was characteristic of the United States at the time. Dylan unequivocally expressed disapproval of the American political and social system to inspire a want for change in his audience.

By the mid-1970s, Dylan’s musical narrative shifted from one of social change to one of love, reflection, and regret with his album Blood on the Tracks. Written after his divorce from Sara Lowndes, the record summarizes a story of sudden onset, continuing struggle, and eventual loss of love. Combining the mellifluous sound of the acoustic guitar with Dylan’s heartfelt lyrics, the record formed a personal eulogy about Dylan’s own failure with love. From biting lyrics in “Idiot Wind” to the regretful tale in “Simple Twist of Fate” and the illustration of a lasting love in “Shelter From the Storm,” Dylan shared both his triumphs and trials of love with his fans.

Characteristic of his personal spiritual awakening, Dylan’s later music highlighted themes of redemption and spirituality in his platinum album, Slow Train Coming. With this release, Dylan collected his first Grammy for Best Male Rock Vocal Performance.

Following his initial Grammy success, Dylan has continued to add to his collection with album after album. Though his initial musical stylings were distinctly aligned with the folk genre, Dylan’s gritty tone and melodic variations paved way for his later career transition into rock. However, Dylan’s literary focus transcended the norms of contemporary rock by incorporating profound lyrical meaning.

While some critics have considered his recent work as somewhat inconsistent with his past moments of brilliance, Dylan’s legacy continues to thrive and to be admired by a multi-generational fan-base. In fact, he plans to take the stage with the likes of the Rolling Stones, Paul McCartney, and Neil Young at the Desert Trip Festival in California this fall.

In light of recent social and political changes in the United States and the world abroad, Dylan’s role in championing racial, gender, and economic equality may rise again. His past campaigns for social justice encompassed music and youth culture to form a crusade against the social and political climates of the 1960s. With his long lasting career far from over, Dylan will likely bring this same activist spirit with him as he heads on national tour.

Throughout his career, Dylan’s lyrical genius combined with his call for social justice challenged stereotypes of the music industry as well as cultural norms as a whole. Bob Dylan became a prevalent voice against social inequity during the 1960s, and continues to be a harbinger for social change with his motivational, melodic tunes to this day.

Proud midwesterner, but Boston is pretty neat too. Music over everything. Hoping to find a way to make a living on half written songs -- or something like that. Forever aspiring to climb Ron Swanson's pyramid of greatness.